Showing posts with label Wolves. Show all posts
Showing posts with label Wolves. Show all posts

Tuesday, June 2, 2015

A Sermon to the Birds or the Burghers?


When I think about St. Francis preaching to the “brother birds of Rome,” I picture a fairly petulant young man, rejected by snooty, wealthy Romans, marching out of the city grumbling to himself, “Well if you won’t listen to me, I bet these birds will. You just watch.” This image is not that far from what Thomas of Celano tells us happened.[1] And while the most famous “Sermon to the Birds” occurs not in Rome but in the Valley of Spoleto, the sentiment of the content in both seems to be quite similar: to preach a message meant for urban humans, but delivered to birds as a means of humiliation.
Something that we did not talk about much in class but has slowly become apparent to me is the contrast between Francis’ interactions with “wild” animals and the very specific urban situations he interacts with humans in. Thomas of Celano presents a number of place names – Rome, Cannara, Bevagna, Alessandria, Gubio, Greccio[2] - that Francis visits, places that not just country monasteries or feudal manors, but towns and cities. I want to draw attention to this not only because it provides fodder that modern environmentalists seem to not use (what with the need for urbanites to live with and respect creation), but because it seems to indicate that parts of Francis’ ministry was directed at a group of people living in specific socio-economic conditions. There always seems to be much made of medieval urban environments as the ultimate birthplace of the middle class, not as wealthy as the nobility but still better-off than the peasantry. I would propose that, given Francis’ attempts to mediate between the urban and the “natural,” his “Sermon to the Birds” should (and can) be read as applying directly to urban Italians.
If we assume that Francis is preaching to the birds lessons he really intends for humans, then his words take on new meaning. He says, “My Bird Brothers and Sisters, you owe much to God, and you must always and everywhere praise your creator and ever love Him and thank Him.”[3] This statement’s relation to humans is fairly straightforward: humans, as well as birds, should be in constant praise of God, which we agreed in class today was a major concern of Francis’.
“For your freedom to fly wherever you wish.” Could this be interpreted as the urban dweller’s freedom to move between towns and villages, as opposed to the peasant tied to a specific plot of land? Perhaps. Francis could also be referring to the urbanite’s burgeoning ability to choose an occupation. The urban human has the freedom to choose their job (within certain limits) and to change location in order to prosper as a result of that job.
“For your double and triple clothing, for your beautiful colored feathers.” I see this as a reference to the newborn middle class’ economic ability to purchase multiple garments of clothing, and for such garments to be of a high quality.
“For your food which is ready without your working for it.” In a city or town, the residents themselves are not farming the crops or raising the animals they consume, at least not on a large scale. Their food comes into the city without them having directly raised it, much as the birds are fed by crops left exposed by a careless farmer.
“For your songs which your creator has taught you, for your numbers which God’s blessing has multiplied, for your seed being preserved by God in Noah’s ark, for the pure air which God has reserved for you as your realm.”[4] Like Francis’ introduction, these statements’ connection to humanity is not as veiled, for humans have also multiplied, were also on Noah’s ark, etc.
“God has made you noble among his creatures: you neither reap your sow, yet God feeds you and gives you mountains and valleys, rocks and high trees as refuges to nest in.” Certainly man is “noble among [God’s] creatures;” in the hierarchy of Earthly creation, they are at the top. But the urban human, specifically, does not reap or sow, as I have said, but is fed. The proliferation of nesting locations for birds can be read as the ability for humans to develop an urban community just about anywhere. Rome, for example, is famously built on seven hills, while Francis visits many towns in the Valley of Spoleto.
“And though you know not how to spin or sew, He nevertheless protects and governs you without your being solicitous. And he gives to you and your children the covering you need.” Admittedly, I cannot think of a parallel between human activity and the domestic incapabilities of birds. I will suggest that humans are also protected and governed by God without having to ask for it, and they always receive what they need.
“So your Creator loves you very much, since He showers so many good things on you. Therefore, my Bird Sisters, take care not be ungrateful and strive always to praise God.” Like the birds, humans must always strive to praise God, because He loves them very much.
Some of Francis’ statements apply to a more general swath of humanity, particularly those referring to the love of God and the reciprocal love for God. However, some of the specific qualities that Francis points out in the birds seem to fit (some more easily than others) the developing urban situation that Francis often preaches in. In this context, it would be worth considering the fact that a wolf is hungry and wandering through the streets of Gubio. It is likely that the town encroached on the wolf’s natural habitat, perhaps causing such a loss of the wolf’s preferred food that it needed to take to attacking humans. Francis’ ministry, therefore, not only points to the specific condition of living in an urban environment, but also seeks to mediate the relationship between the urban and the natural.
I do realize that Francis did not treat every animal he encountered as a lesson to urban Italians, and that he often was concerned, as Sorrel points out, with returning both humans and animals to an Edenic state.[5] In the context of preaching directly animals, though, often as a rhetorical technique against unwilling humans, it seems that the qualities Francis praises and encourages the birds to praise God for are also qualities that are shared by urban humans.   RAE


[1] Brown, 40-41.
[2] Ibid., 40, 42, 74, 75, 81.
[3] Ibid., 43.
[4] Ibid., 44.
[5] Sorrel, 404.

Wednesday, December 8, 2010

The Wolf: A Villain or Victim?

From the “Big Bad Wolf” in the Three Little Pigs or Little Red Riding Hood, wolves are often cast as the antagonist: a character to fear. Throughout Christian cultures, wolves are depicted as sly, evil, and vicious. This trend of portraying wolves as the enemy or adversary has been present since the Middle Ages. In Aleksander Pluskowski’s “Wolves, Game and Livestock: Predation and Conflict,” I learned that medieval Christian literature and art frequently shows a recurring association between the wolf and the lamb. This lamb-wolf relationship is derived form the Bible and is parodied in high medieval beast literature. However, as the article states, “Can its persistence (of showing the lamb-wolf relationship) be attributed to the ecological reality as much as the religious metaphor?” (Aleksander Pluskowski).

Although it is impossible to recreate models with sufficient evidence to satisfy modern ecologists, data suggests, “comparable multi-prey systems appear to have existed in medieval northern Europe” (Pluskowski). In other words, wolves in the Middle Ages preyed on the same animals as wolves today. Thus, for the most part, wolves in the Middle Ages hunted animals like deer, sheep, and dogs. However, unlike today, where people rarely come in contact with wolves, wolves were perceived to be a threat to humans in medieval Britain and Scandinavia. As Pluskowski writes, people in these areas during the Middle Ages feared the wolf and “attacks likely rose from the early to high medieval period…on the basis that people continued to encroach on the wolves habitat and had more frequent contact.” However, the article does hedge this statement by saying that while there are references to people being angry at wolves for harming people and animals, there are few documented accounts of attacks. Therefore, it is hard to distinguish from records whether people’s fear of wolves in the Middle Ages was valid.

Tuesday, November 30, 2010

Foxiness of a Fox...Lionness of a Lion

I forgot which class it was but someone brought up the point that medieval people didn't just use animal symbolism to emphasize negative qualities of a person but also used "dignified" animals as someone's counterpart in the natural world.

In a passage from The Prince, Machiavelli writes that "[t]o have as a teacher a half-beast, half-man means nothing other than that a prince needs to know how to use both natures; and the one without the other is not lasting." (XVIII) He goes on to encourage princes to participate in their beastly nature because it is out of necessity. Of all the animals, "he should pick the fox and the lion, because the lion does not defend itself from snares and the fox does not defend itself from wolves. So one needs to be a fox to recognize snares and a lion to frighten the wolves." Machiavelli takes two predatory animals, combines their qualities to create a set of desirable traits for a prince.

I thought I'd post this because I saw a few themes we discussed in class floating around in this passage. First, Machiavelli doesn't tell his reader (Lorenzo d'Medici) to refrain from being the animal, but says that it is required of him (as a ruler) to become the animal when necessity arises. He emphasizes this by drawing from the qualities from two animals. The fox represents cunning while the lion symbolizes ferocity. These two animals are then juxtaposed with the wolf, which represents chaos, calamity, and disorder in this context. He advises the young prince, simply being a lion will not help defend oneself from wolves, "the one who has known best how to use the fox has come out the best." This pitting of the fox against the wolf (and vice versa) reminded me of Renard the Fox. Although in class, I don't think we quite knew whether to classify Renard as good or bad but Machiavelli would praise the cunning, deceit, and boldness of Renard. This animosity between the fox and the wolf appears in Machiavelli's work-though I doubt that he was writing with the tales in mind.

Some cute pictures I stumbled upon...










Ysengrin ensnared by Renard's trap.










Ysengrin weeping..












AND I just love the expression on Renard's face.

Friday, October 29, 2010

Hunting the Wolf


Today’s discussion about the nobility of hunting really sparked an interest within me to look deeper into the reasons behind the numerous wolf hunts t hat occurred within the Middle Ages. We know from the discussion today that there were several purposes attributed to the hunting of animals. In most cases the purpose of the hunt was the chase in itself, culminating within the equally important kill and ceremonial dismemberment. Sometimes animals were hunted for their meat, i.e. the poachers that we read about for today, or the nobles and huntsmen were just trying to keep the populations down within the deer parks and warrens (culling). Most other hunters justified their hunting activities by stating that they were eliminating other predators, especially the wolf, which is typically personified to be evil amongst society within the Middle Ages. This final observation got me thinking, was it really necessary to hunt and kill all those wolves just on the pretense that they were evil and therefore harmful to others?

Monday, October 4, 2010

Research Paper Brainstorming Ideas

After attending class this past week and upon reading  our discussion assignments,
I aimed to decide upon a paper topic and to begin researching as soon as possible. Our discussions have definitely sparked several ideas into my mind about the topics I would like to research. Despite that, I am still greatly undecided and will appreciate any advice or comments from classmates upon my present ideas.

I first thought of researching more about a quite domestic animal, the lamb, based not only upon the fact that I grew up around them when I was little and have always had an affinity for them, but also because it takes up such a central position within the Catholic religion. I looked within the index of the Brigitte Resl text, and browsed through the pages that made reference to lambs. I really thought it was interesting how often the lamb came into context within religion as a symbol of God and the divine, and yet it was rarely used within daily life beyond the use of its skin. I also had an inkling to research the origin of the lamb as a symbol of divinity, since we rarely see such a domestic animal taking on this grand type of symbolism. Usually lions, doves, eagles, panthers, and leopards and other more extraordinary animals are considered perfect and divine.